August 2008

Welcome to all the newcomers of the newsletter. I hope yopu find it instructional and inspirational!! I am amazed at the constant increase of new proponents to the art!

THE SPIRIT OF BONSAI
I don’t know if its our culture, or our technological age we live in but too often I hear people talking about bonsai as if it is an exact science!

To start with, there are some things in nature we will never understand. Even the best horticulturists will tell you they still don’t fully understand the working of soil and tree together.

Often when a tree “passes” we try and find the reason, but sometimes there is just no good reason we can find! Don’t get caught up with making it an absolute science like maths! You will be disappointed, and have missed the essence of bonsai.

Bonsai is both horticulture and art combined. It is working with material that never presents exactly the same as the last one you did.

For some reason we are so persistent in creating something because we think this is the direction it should go (according to something we have read.)

Be bold enough and game enough to begin to follow your creative instincts, sure use good horticultural guidelines, but beyond this just as they say “have a go”

Read as much as possible, glean as much information as possible, do all you can to fill your mind with images of your beloved hobby, but then as you shape, let the mixtures of the images begin to dictate to you the shape. Things such as balance, and space will become obvious.

Bonsai is not about rules! We are not building a mechanical object! Rules are there for guidelines, they had a purpose in the beginning, and its understanding is vital for the success in bonsai.
Too many people bend down to have a close look at a bonsai and stand up with a look of intelligence on their face to proclaim “Its wrong, the first branch is a back branch”. I swear if I hear someone make a statement like this again, I will scream!

The next book you are reading on bonsai you will find somewhere in the book, how the tree should have a left, right and a back branch radiating up the tree. Now go through the pictures of the book and find how many follow this pattern!

This layout is a guideline, not a rule. I have seen trees that people have forced branches to fit the criteria, and they look ridiculous.

Trees have branches at different heights and different levels because that is how a tree grows naturally. Branches will grow into the most optimal position to gain light. (this is a brief explanation)

If we are to develop both our personal and corporate world of bonsai then we need to both encourage and attempt to develop new styles, and techniques.

We must welcome the newcomer, and not baffle him/her with science and rules, but impart some enthusiasm that will inspire.

We need to “unveil” the mysteries that are so readily propagated by the few, to help people understand that bonsai is not some mysterious thing, some freak of nature, but are at the end of the day, just trees in pots! Lets not be so precious about the whole thing.

People have told me after I have complimented them on an aspect of their tree, asking how it was achieved, only to be told it was a secret!

Bonsai has a long history, and its journey has crossed many lands and cultures. It is reputed to have started in China (maybe even earlier in India) and eventually to Japan.

Pensai from China has a distinctly different look from the bonsai from Japan. Pensai has its early roots (sorry for the pun) in China and was more to do with landscapes in pots.
Whether you like Japanese or Chinese style of bonsai, doesn’t really matter, its about enjoying the art form. They are both legitimate.

There is a respect for its origins and respect for its originators.
If we allow, and indeed encourage those coming into the hobby, especially the young, we will be part of the evolution of bonsai. Bonsai styles are not fixed in time, there are guidelines to be followed, but it will continue to change and develop.

The greatest problem we face as we get older is the ability to change. We fear change around us because we don’t like the rules being changed.

The spirit of bonsai is not precious, it has humility at its heart because it doesn’t know everything. It s encouraging, it imparts all the knowledge it has, its not envious, but appreciative of others achievements.

Probably as Australians, indeed Queenslanders, we have a unique opportunity to develop the art of Bonsai. Our climate is so different, our species are different, even our climate is different.
What will happen with Australian natives? I know we are using them to some degree, but how far are we willing to go? Do we try and shape them into traditional shapes, or do we try and follow the shape of trees around us?

If we allow this sort of development in bonsai then we will all be the richer for it. Maybe everything wont work, but we wont know until we try.

We cant be rigid in all we do, otherwise we will become stuck in time.
Maybe if you feel like you are getting stale with your bonsai, its time to try something different. Go somewhere you haven’t gone before, stretch yourself!!

If we keep this type of mindset, we will be more tolerant of others, we wont be envious, and will ensure the future of one of the worlds greatest hobbies!!

SWAMP CYPRESS
I have really taken to swamp cypress as a bonsai, both as an individual tree, and as group plantings.

The Taxodium genus consists of only two species, Taxodium distichum/ The Swamp Cypress and Taxodium ascendens/ The Pond Cypress. Both a suitable for bonsai cultivation though it is the Swamp Cypress that is more commonly seen.

The Swamp Cypress is an upright, conical, monoecious, deciduous or semi-evergreen coniferous tree found in swampy forest or by river margins from SE USA to Guatemala. In its native habitat it can reach heights of 20-40 metres. Though often found growing in wet, swampy soils, the Swamp Cypress also grows well in relatively dry soils. In wet soil conditions, Swamp Cypress develop aerial roots known as 'knees' or pneumatophores at water level.

BONSAI CULTIVATION NOTES

POSITION Full sun. Fully hardy to -10°C.
WATERING Swamp Cypress should be kept moist at all times as they are thirsty trees. Although Swamp Cypress are able to adapt to wet, swampy soils it is not necessary or beneficial to stand them permanently in water.

FEEDING Swamp Cypress are very vigorous growers and require regular feeding every one or two weeks with a balanced feed.

REPOTTING Repotting should be carried out annually in Spring as new buds extend. Use a soil that is able to retain water but is still fast draining.

PRUNING Pinch out new shoots throughout the growing season to keep in shape. Hard pruning can be carried out in late Winter; this commonly results in prolific budding from the trunk.

WIRING Care should be taken when wiring, as these trees are fast growing and wires will damage the bark if not removed quickly enough. If possible use guy wires to pull down the branches.

PROPAGATION Cuttings at most times of the year and air layering in late Spring.

PESTS AND DISEASES Trouble free

STYLING Formal and informal upright forms, slanting and literati, twin-trunk and group forms in all sizes.

July 2008

The most exciting time for Bonsai lies just around the corner, so its time to get ready for all the spring jobs. I know we may have some cool nights ahead still but nature is starting to show clear signs of spring. Things I have noticed are new buds bursting on the elms. New buds coming out on the black pines, and most noticeable is the winds, they are from the N.E. which are our predominant spring summer winds. I am still cautious though, I have been caught before. If we are not aware, we can be caught out or running to catch up. So here are a few things you need to think of:
If you are unsure leave it for a few more weeks.

REPOTTING
You should be preparing to repot all your trees soon. Some can be left to later such as pines, figs, but your elms, maples junipers etc are ready to go. What happens with the old soil is that it becomes drained of all its nutrients, we can continue to fertilise but this is not the optimum. Much of the humus has broken down, and can become quite mushy. It is vital that the mix you use is “open”, and “sharp”. By this I mean it is free draining, and that much of the mix is sharp in content, such as sand and gravel. The purpose of this is to cause the roots to divide constantly. The roots travel along, hit something sharp and split. This is what we are after. The better the root system, the better the foliage. That makes sense doesn’t it! Unfortunately we pay little attention to the soil or the roots, out of sight, out of mind eh?.

I have had my own mix commercially made for me according to my own specifications for some time now and I have used a product in it called “Zeolite” This is a nonorganic substance that has been formed through the volcanic process. It is usually a brown type of rock but is very porous. It has some amazing qualities. It is reputed to be able to hold up to 70% of its own weight in moisture! But wait that’s not all, it has a negative charge, or negative ions. All organic material has positive ions, so it attracts these minerals, and all the other goodies and holds them. When the soil becomes moist, the ph changes, and the minerals are released, when it dries out they are regathered! This mineral is so amazing, they are now manufacturing it artificially!.
This is the mix I use in all my bonsai’s at the nursery.

WIRING
Now is a good time to do some wiring. Many of your trees will have less foliage on them now. This allows wiring to be easy, as you can see more of your branch structure. Also take the time to remove any branchlets that are shooting out the wrong way. You can be fairly severe on elms, maple etc. cut them back hard, it will give you greater branch ramification in the future.

PRUNING
Now is a really good time to do some pruning and refining. Trees such as elms, and maples will respond really well to hard pruning now before leaf bud. By pruning back hard now you will create greater ramifications on your branches. There is nothing better than an elm or a maple that has hundreds of tiny twigs all exposed in winter, so now is the time to cut them back while you can see them. Keep cutting back to 2 leaves (or buds) on each branchlet and over spring and summer you will get fantastic growth. It is easy to just let them grow as they will look good, but winter will find you out with long stringy branchlets.

Take some time to assess your trees whilst they are defoliated, see what changes need to be made. Maybe its time to thin it out and remove some major branches! You may decide to reshape the whole tree, this is all part of the journey!

NEW POTS
Some beautiful pots have come in (15 tonnes!!) The majority of them are handmade and some are very unique. Although I do wholesale into Australia with pots, there are some that I keep exclusive to the nursery. So you know you can buy something here you wont see anywhere else.

See you all soon!
Happy bonsai-ing!!
Chris

May 2008

Welcome to the new readers from the recent classes, hope all your trees are going well.
Sometimes you may notice some repeated articles in the newsletter. This is owing to the fact that after 4 years there is not a lot of new material to write for that particular month. I will always endeavor to bring fresh ideas and news to you. Remember that your input is always welcome, and subjects that you would like discussed or explained, just shoot me an email.
Also remember that the stock of pots is on the website, which allows you to browse looking for something suitable before you get to the nursery. There are other pots here that are not on the site, these are the handmade range, which are not available anywhere else.

LIME SULPHUR
Winter is an important time to keep your trees in their best condition for the coming spring.
It is wise to spray your entire collection with a diluted amount of lime sulphur over the winter months.

Lime sulphur is a fungicide and pesticide which is fairly low in toxicity. It will keep at bay such things as sooty mould, some other funguses, and some of your minor pests.
Spray once a month for 3 months starting in say May.

The other effect it has is a lot of the little nasties that have laid eggs will be greeted (if not killed earlier) by a pesticide. Otherwise you can find you get of to a bad start in spring with all the little nasties hatching and looking for breakfast, at your place!!

Lime sulphur is available from Bunnings, use as directed.
The other use for lime sulphur is bleaching dead branches to create that old look as well as preserving the timber. When this is done it is used neat (undiluted) this is called “jinning”.

JINNING
Whilst on the subject of jinning I thought it would be a good opportunity to explain a little further regarding this method of giving your trees a more “aged” look.
Remember a tree should always tell a story. It should look like the elements of nature have shaped it, not the hands of man.

This is where jinning comes in. Jinning is a method where all the cambium layer is stripped from a branch to give it a look of an older tree that has had damage done to it through either a storm or lightening, insects etc. A branch or apex can be jutting out of the top of a tree that appears to have been hit by lightening. Maybe a bottom branch that is no longer needed in the design of the tree can be stripped back to look as if over the years the branching above it has shut out the light causing it to die of.

So before you go cutting of branches, or cutting your tree down in height, consider leaving some and jinning it!

To start the jinning process you need to strip away the cambium layer from the branch to be jinned. Make sure you cut around the base of the branch where the jinning is intended to end, otherwise what can happen is when the bark is stripped of, it can tear past where you intended it to finish. This can be done with a sharp knife.

The next step is to remove the cambium layer. This is the living tissue under the bark. Beneath this is the heartwood or deadwood. This is the part we are going to bleach.
The best way to strip this bark of is with the use of jinning pliers. These are used to crush the cambium making it very easy to remove.

Remember to leave as many of the smaller branchlets on the branch being jinned, shorten them as they will add to the overall effect.

After this has been done, consider if the branch is the shape you want it to be. Because it is at this time you will get a one of chance of shaping it. You will find that it is still moist and supple and can be easily wired and trained into a new shape. You may want to twist it and get it spiraling up through the tree. This can look very effective.
You will only need to leave the wire on for about a month as the branch will quickly dry out and then become brittle. You can use heat to bend a branch further but this is fraught with danger as you can boil the sap right back down into the living tissue and kill the branch or even the whole tree!

After you have completed stripping the cambium away, make sure it is clean from any small bits of stringy pieces before you paint it.
The best way of getting the lime sulphur to be absorbed is to lightly spray the deadwood with water. By doing this it will be absorbed into the wood, which will inturn draw the lime sulphur deeper into the wood grain.

Using a small paintbrush, paint the lime sulphur on liberally, making sure it doesn’t run down the branch onto the rest of the tree, nor let it get in your soil. Cover the pot with a rag or similar to stop this happening.

Use the mixture straight from the container, don’t dilute it.
At first it will look very yellow, don’t worry as this will quickly turn white over the coming weeks. It is important to put it in the sun as this will enhance the whitening effect.
The lime sulphur will not only bleach the branch but will also work as a preservative on the timber.

You will need to do this again in a month or so and then say twice a year at any time.
Some trees respond better to jinning and bleaching. The softer timbers don’t do so well such as figs, but trees such as pines junipers swamp cypresses etc look awesome!
This all can be taken a step further if jinning presses your buttons!
This is where carving comes in. Now this can really be fun!

This ranges from using a small Dremmel, to the old “widow maker”. The process here is trying to replicate nature with carving the tree to make it look like it has been weathered for a long time. Twists can be carved into it, trunks can be hollowed, and so on. This takes a little bit of practice, but it can take an ordinary looking tree, and make it look spectacular!
The big bougainvillea on my email signature has been created in this way. Actually it is has even more carving now as I neglected to notice the ants building their home inside one of the trunks so now it has all been hollowed out and looks great.
Anyway give it a try!!
I have include a couple of photos of trees with jins to give you some ideas.

STOCK
There has been quite a bit of raw stock come in lately, there are olives, trident maples from small to extra large, pyracanthas again medium and large, these are all covered with a beautiful yellow-orange berrie and look stunning, some small Japanese maple (you need to live in a cooler part of the coast for these to be at their best) some larger crab apples, and few other bits and pieces. As usual first in has the best pick. The majority of this stock has been ground grown which gives them great nebari’s (root structure around the trunk)

Happy Bonsai-ing
Chris